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Milonga

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    Argentine tango party in San Francisco. All photos by Marcy Mendelson.

Salsa Night

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    Salsa Night at Little Baobab. All photos by Marcy Mendelson

The Rehearsal

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    Diamano Coura West African Dance Company rehearses in Oakland, California for the 2006 performance. All photos by Marcy Mendelson

The Rehearsal II

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    Dress rehearsal for the Diamano Coura West African Dance Company in Oakland, California. All photos by Marcy Mendelson

Carnaval Costumes

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    Costume Designer Jair Oliveira at work in his studio. Photos by Marcy Mendelson

La Feria Andalucia

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    Barcelona, Spain... Couples dance Sevillanas at La Feria. Photographs by Marcy Mendelson.

Romani Dance

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    Romani women dance Flamenco Puro in the streets of Italy. Photographs/ Copyright, Rana Halprin

Sambistas

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    Maisa Duke and her Energia do Samba dance troupe kick it up at a San Francisco nightclub. Photographs by Marcy Mendelson

Sambistas Part II

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    Maisa, Vanessa, Ingrid and Serena of Energia do Samba dance in San Francisco at Mangarosa Restaurant. Photographs by Marcy Mendelson

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Latina in Wonderland

Our very own contributing writer, Jennifer Prado, has published her first book.  All author's proceeds will be donated directly to UNICEF.

Read Jennifer's article for Root:  One Night of Brazilian Carnaval

About Latina in Wonderland:

Jpradobookcover (PRLEAP.COM) Princeton, NJ – American author, Jennifer Prado, skillfully blends Latin magical realism with the values of Aesop’s Fables in her first Young Adult novel that has recently been published with Lulu.com

Ms. Prado was inspired to take a creative sabbatical after witnessing 9/11 from her office window in New York City. “I did the professional equivalent of jumping from an airplane. I resigned from a relatively secure and stable job, to move to Brazil, live on farm with my husband’s relatives, and write.”

Inspired by her rural surroundings, where cows outnumbered people, and only her books spoke English, Ms. Prado chose to incorporate the local landscape and animals into her story, including a hummingbird that she found trapped inside her house.

“A hummingbird buzzing against my window was the image that sparked the rest of the story. Living in relative isolation, allowed me to return to the time of imaginary friends and envision a less violent world. I’d say the values of this story are Victorian: no guns, cursing, or brutality.”

“I’m hoping that the book appeals to adults as well as teens, like an old Bugs Bunny cartoon. The story has a whimsical quality where things go “splat,” but there’s also a sophisticated sense of humor behind the fluff, and even some light social commentary about our modern times."

Jennifer Prado was born in Princeton, NJ and currently works as a Marketing Strategist in Latin America. She has a degree in Latin American Studies and Fiction Writing from the University of Wisconsin – Madison, as well as, an MBA in International Business from Pace University. Her book can be found at: http://www.lulu.com/content/756697 and will soon be available on Amazon.com.

Photo of the Month

Aztec dancer in the ceremony opening Carnaval.  See the entire set here:Aztec_dancer
Carnaval 2007.

Image copyright, Marcy Mendelson: www.InnerCamera.com

American Indian Film Festival Opens in San Francisco

The festival opens today with the world premier of the documentary, Maria Tallchief:

From the blog 'Censored':

Mariatallchief2 This is the first full-length documentary on this legendary dance figure who helped spark the founding of the New York City Ballet Company in 1948. Maria Tallchief began ballet lessons at age four in Fairfax, Oklahoma—an Osage Indian community—and went on to stardom in roles created specifically for her by her husband and choreographer, George Balanchine. In the film Maria Tallchief tells her own story, accompanied by archival photos, rare dance clips, and interviews with dance colleagues and historians.

Osawa, citing her motivation to produce the film, said, “There is a lack of positive stories about Native American women in film and although a television tribute to her is long overdue, I am honored to be the one to introduce Maria Tallchief to both old fans and a new generation of fans.” Maria’s professional life is prominent throughout the film with clips from Swan Lake, Firebird Pas de Dix, , Nutcracker and Le Baiser de la Fee. Audiences will also long remember the more chilling aspects of Maria’s Native American heritage. Shortly after Maria was born in 1925, the Osage Tribe was the richest group of people in the world due to the discovery of oil. This ignited what historians have termed a “reign of terror” as non Indians began plots to rob the Osages of their fortunes.

Mariatallchief1 Murder was rampant and the tribe declined in population by almost 25 percent. Maria’s mother was greatly affected by this period of history and encouraged Maria and her sister to develop their own strengths and skills, as those could never be stolen. At the age of seven, Maria and her family moved to Los Angeles, where she studied with world class teachers such as Mr. Belcher and Madame Nijinsky. By the late 1940’s, television, the New York City Ballet, and even ballet as an American art form were all emerging. Tallchief became a new prototype of the ballerina that was distinctively American. The ballet world that was dominated by Russian, French and English performers changed dramatically in 1948. The night Maria Tallchief took center stage in Orpheus, a thunderous ovation was heard and history was made with the founding of the New York City Ballet. Author Francis Mason, who is featured in the film said, “Maria Tallchief lit a fire under classical ballet that is still burning.”
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ABOUT THE FILMMAKERS
The film Maria Tallchief is the third in a trilogy of films that highlights contemporary American Indian themes, issues and people by the production company, Upstream Productions, based in Seattle, Washington. Sandy Osawa is a member of the Makah Tribe with a lifelong dedication to bringing alternative images of Indians to the screen. Yasu Osawa, has assisted her in all the films and has been lauded for his camera and editing work . The two other previous documentaries were Pepper’s Pow Wow and On & Off the Res ‘ w/ Charlie Hill, which were also broadcast on PBS stations and are now used as curriculum resources in college libraries across the country.

posted by:

Preview and orders available here: Upstream Productions

Full Schedule and Information on the film festival:

November 2 through November 10, 2007

American Indian Film Institute

SFStation

Happy Halloween: Goths, this one's for you:

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Gothdance2
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The Frybread Experience

Our recent article Pow Wow in My Blood mentioned a delicacy called frybread.  Now, I must confess I had never heard of frybread until the movie Smoke Signals and have yet to try it.  From the looks of this Youtube find, it might wreck my diet but worth every bite!

Frybread & Navajo Bun

Marie Osmond can't handle her Samba... but on Halloween you can...

Nobody said Samba is an simple dance one can sleep-walk through.  It takes your whole being, all your energy, your whole body.  When you get it, when you really get how to samba, its a fever.

Poor Marie Osmand.  Not sure she gets it yet.

millions of east-coasted Dancing with the Stars fans watched as Marie Osmond fainted during judge Len Goodman's appraisal of her samba, a dance apparently so physically draining that it was impossible for Osmond to stay conscious long enough to signal the show's producers to cut away from a coming swoon in time to avoid unnecessarily upsetting America. But don't worry: we're told the Dancing crew returned after the impromptu break to let everyone know she's fine.


Try out your real samba (no ballroom pressure!)....Get down to Roccapulco in San Francisco on Halloween and Samba with Energia do Samba and DJ Papi Chocolate spinning Salsa, Samba, Soca, Reggae, Afrobeat and Hip Hop.

Root Magazine will be covering the event.  Be there in costume!

Ticket information located here:

Tickets Fiesta

Need a preview?  Here is Maisa Duke with Energia do Samba at Roccapulco:

Pow Wow in My Blood

Teaching_the_babies Growing up in Cortez, Colorado left me with memories of brilliantly colored dancers, boys at my tender young age of four  dancing inside of 30 hoops and the most amazing parade of Indians dancing and drumming on their way to the Montezuma County PowWow and Fair. The Navajos and Utes that rode had horses covered in brilliantly covered yarn, silver and turquoise. They walked so proud. It stuck deep inside me.

I have spent the last ten years learning the Navajo way with a Traditional Medicine Man and his wife and son. They adopted me and call me "renegade white woman who dances on the rocks."  I have learned a great deal from these people and am blessed to attend Navajo functions that white folk aren't allowed. I cannot however get used to mutton stew ..

I still love to go the Pow Wows and photograph them like my dad did back in 1956. My mother wasMom_and_babe Cherokee and my dad was a doctor, the county coroner and a renowned photographer. But the thing he loved the most was to fly his little one man Moony airplane around Indian Country.  Every Tuesday he flew to the government health clinics on the Ute and Navajo reservations. His patients paid him in rugs, jewelry and pottery. I got to go on several of these expeditions. As we flew through Monument Valley our shadow hung itself on the side of the Mittens and flew beside us. I could see my braids blowing in the wind. This area of the four corners is a very sacred place alive with the breath and heart beat of four sacred mountains. Within these mountains lies a blend of Ute and Navajo cultures that has a life of its own, separate from the white mans world. Life is slow on the res, very slow. Though time seems to halt, the natives never stop creating their beautiful baskets, pottery, bead work, rugs, wonderful tamales, and on and on. They raise their own sheep and goats from which they get their wool. They dye it with sumac, juniper, and an assortment of native plants. They have regular ceremonies to honor their sick, the earth, the weather, all veterans, each other and the Great Spirit. Every pattern in their bead work, woven goods and pottery has a meaning and relates to the eternal connection. . Their life stories relate to the animals, the birds, the fauna, their ancestors and the heavens. Many still visit the traditional medicine men and many still have no running water. Both the Ute and Navajo reservations are filled with poverty, garbage and insane beauty. That hasn't changed in 50 years and neither have the Pow Wows... They are still filled with amazing colors and beautiful people gathering to watch the dancers compete for prizes and to share their bounty. It is a life all its own.

There are several types of Pow Wows. The ones I enjoy most are the Ute Bear Dances, The Navajo Fair in Bluff and the huge Ship Rock Fair and Pow Wow in New Mexico. Most larger Pow Wows also have an all Indian Rodeo with professional riders and stock.Royalty_2

All Pow Wows have traditions and etiquette they have to follow and are taught to the children when they are very young. They have absolute respect for their elders and these traditions. The Pow Wow tradition I love the best is called The Giveaway. They lay a big blanket out in the middle of the arena and bless it and then dedicate it to a family that is in crisis. The family stands on one side of the blanket and the attendees partake in the giveaway. They walk to the blanket with their money and put it in the blanket and shake the family’s hands. The line can get very long as hundreds will partake in this blessing. This event cannot be photographed. They also have a giveaway for the children where they will bring hundreds of toys and candy out and give them away to all the children. During the Pow Wow whole families gather around in the huge circle under a large covered shade huts .  They bring their own chairs and big boxes filled with feathers, drums, beaded costumes, huge tail feathers and head gear. Each piece is meticulously folded and stored with great respect. A feather cannot touch the ground and if one does it has to be blessed. The Pow Wow comes to a complete halt and the medicine man blesses the feather. Everything has  have to be very securely attached to the costumes as they dance for 3 days and with a furious speed few people can match.

Etiquette for all dancers is as follows:

1. Be on time. The Committee is doing everything possible to ensure that activities begin and run smoothly. Please cooperate in this regard.

2. Appropriate dress and behavior is required in the Arena. Anyone unwilling to abide by this rule will be asked to leave by the Arena Director. (If you are going to dance, try to wear dance clothes.)

3. Arena benches are reserved for dancers. Dancers wishing to reserve a space on the bench should place a blanket in that space before the dance begins. Please do not sit on someone else's blanket unless invited. Uncovered benches are considered unreserved.

4. Listen to the Master of Ceremonies. He will announce who is to dance, and when.

5. Respect the position of the Head Man and Head Woman Dancers. Their role entitles them to start each song or set of songs. Please wait until they have started to dance before you join in.

6. Dance as long and as hard as you can. When not dancing, be quiet and respect the Arena.Baby_jingle_dancer_3

Since the families of these dancers are all in the audience, children at a very young age are exposed to this gala event. The final preparations for each dancer take place in the audience and all is done very quietly. Often the Elders will catch a quick nap.

Interspersed in the circle are as many as 10 huge drums with up to 8 drummers singing and drumming. These singers are from several different tribes and many have CD's available. There are several categories in which these drummers and dancers compete. Each has its own requirements for costuming and placement.

Grand_entry_bluff_pow_wow_2 Starting the Pow Wow is the Grand Entry where the lead couple start the procession with all the dancers entering the arena. The arena fills quickly with of a hundred or more dancers. It is the most powerful experience that I know of and it always brings a flow of tears to my eyes. When the dancing stops, prayers and blessings are given.

After the Grand Entry, there are several Inter-Tribal Dances where the dancers get warmed up in often 90 degree or higher temperatures. The general public is encouraged to dance along. This is a very unique experience and should be tried. Women will need a shawl and a good eye. Men and children enjoy this too. During the Inter- Tribal dances the drummers are announced and compete in drumming and singing. These dance competitions can go on for three days and it is a slow elimination process and their endurance is something to behold.

The different categories for the dance competition are Gourd, Fancy, Feather, Grass, Straight, Shawl,Young_traditional_feather_dancer Jingle, Buckskin, Cloth and Traditional. both Northern and Southern. These are broken down into age categories and begin with the tiny tots. Some of these wee ones can barely walk and some are held by parents or siblings. The children are amazing at stepping into the role of the dance and they take on the character of animals they live with and move in ways that defy the eye. This movement is necessary to sneak up on the prey when hunting. The animals are also used to tell stories. In a Navajo Ye Be' Che' the sly fox pokes fun at the human condition, making the audience laugh late into the night. The Ye Be' Che' begins with a healing ceremony in a Hogan with a Traditional Medicine Man. A huge sand painting is made and blessed. This ceremony can go on for several days, depending on the severity of the illness. These sand paintings can not be photographed but from personal experience, they are a true work of art.

Along with the Pow Wow, fairs offer food, and lots of it. Navajo tacos, mutton stew (favorite of the Navajo), lots of fry bread, the best corn tamales ever, lots of melons and shaved ice all to be had. There are many booths of art work. The crafts are varied and range from true turquoise and silver to molded turquoise and nickel. There is also hand spun and dyed wool, depending where you are. You can barter with most vendors and it is a lot of fun.Jingle_dancers

I never leave a Pow Wow the same. I am always humbled by the beauty of these people and the gentle way in which they raise their children and live their lives. As I get older I find myself yearning to live back amongst my Navajo family, saddle up my pony and go herd the goats and sheep.

Karla Prudent

Karla Prudent is a photographer and dancer residing in Utah, USA.

all images courtesy/ copyright of Karla Prudent

Margaret Cho: The Sensuous Woman

Reviews are in as Margaret Cho embraces the art of burlesque in her new act:

The Sensuous Woman

The New York Times

Oh my God, I’m seeing stars. With sequins on them. And tassels too! Round and round they go.

Carol Rosegg

Since I have not, to my knowledge, recently been knocked unconscious by a falling disco ball, I must be having a flashback to “The Sensuous Woman,” the neo-burlesque revue at the Zipper Factory headlined by the comic Margaret Cho. This singular entertainment — more singular than entertaining, in truth — employs enough pasties to supply a decade or two of “Gypsy” revivals.

Halloween with Energia do Samba

Root Magazine and Energia do Samba present Halloween Ball 2007

Halloween2007flyeredos_2 Join the Energia do Samba dancers, live percussion and special guests at San Francisco's famous Roccapulco Nightclub in the Mission district on Halloween.

DJ Papi Chocolate will rock the house with Salsa, Samba, Hip-Hop, House and other international tunes. 


Root Magazine will be there photographing the event so
 dress up in costume and wear your serious dancing shoes for this international style Halloween fest.  *Costume prizes too*


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To find out more about Root Sponsored Events send a message to root_magazine@yahoo.com

The Pow Wow

Coming up Root focuses on the Pow Wow.  Dancer/ Photographer Karla Prudent of Utah will tell us all about the culture, rules and pageantry.

Teaching_the_babies

Navajo woman with little girl during the Tiny Tots section of the Navajo Fair & Pow Wow, Utah; September 2007.

Photo by Karla Prudent