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Milonga

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    Argentine tango party in San Francisco. All photos by Marcy Mendelson.

Salsa Night

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    Salsa Night at Little Baobab. All photos by Marcy Mendelson

The Rehearsal

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    Diamano Coura West African Dance Company rehearses in Oakland, California for the 2006 performance. All photos by Marcy Mendelson

The Rehearsal II

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    Dress rehearsal for the Diamano Coura West African Dance Company in Oakland, California. All photos by Marcy Mendelson

Carnaval Costumes

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    Costume Designer Jair Oliveira at work in his studio. Photos by Marcy Mendelson

La Feria Andalucia

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    Barcelona, Spain... Couples dance Sevillanas at La Feria. Photographs by Marcy Mendelson.

Romani Dance

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    Romani women dance Flamenco Puro in the streets of Italy. Photographs/ Copyright, Rana Halprin

Sambistas

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    Maisa Duke and her Energia do Samba dance troupe kick it up at a San Francisco nightclub. Photographs by Marcy Mendelson

Sambistas Part II

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    Maisa, Vanessa, Ingrid and Serena of Energia do Samba dance in San Francisco at Mangarosa Restaurant. Photographs by Marcy Mendelson

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Editor's Pick: Miguelito

M1 Rare is the moment when a chance MySpace surfing session leads you to your next favorite musician.  I found Miguelito on MySpace and he was kind enough to mail out a cd of his album, Essa Batida,  for review.

Miguelito hails from Sweden and is influenced by Brazilian and African rhythms.  The whole album has a chill vibe without losing the energy and Miguelito's warm vocals bring it all together ... "Essa Batida" has been in constant rotation on my iTunes and I have to admit that I now have a little crush on Miguelito!

From his bio:

Having the perspective of a drummer and a percussionist, Miguelito's songs always have a nice swing to them, inspired by living in Brazil working as a musician, but being influenced by African music as well. Add to these beats some sweet harmonies that gives a nice atmosphereM2_2 in the music. On top of it all you can always sense the originality of the melodies coming out of Miguelito. You might even start to wonder where you're at... In the Caribbeans? In Brasil? No man, you're on planet Miguelito where everything is possible!

Check out the tunes at: Sacamata Recordings:  Miguelito: Essa Batida

Editor's Pick: Astor Piazzolla

Astorptangozerohour Long before I knew I was interested in dance, all I listened to was 90s industrial metal and goth rock.  Nothing wrong with that, besides being angry all the time, and there is a place for that vibe for sure but... One day I walked into the (now closed) Tower Records Classical Annex looking for something dramatic on the listening stations.  What I found was unexpected, a tango CD by someone called Astor Piazzolla.  While I didn't have the $$ for the CD at the time, I returned to the store for a solid week just to listen to that tango music.

Astor's genius has now been a solid staple of my music collection for nearly 10 years.

Some readers may know him by the Grace Jones cover of Libertango, and YoYo Ma's arrangements.


The album I love the most is Tango: Zero Hour.


From a review on Amazon:

Piazzolla (bandoneón) and the musicians he assembled for this quintet (Fernando Suárez Paz, violin; Pablo Ziegler, piano; Horacio Malvicino, Sr., guitar; and Héctor Console, bass) gave the performances of their collective lifetimes when they made this album, recorded in NYC in May of 1986. It is the zenith of Piazzolla's career - and that's saying a lot, considering the contributions he made to music in his lifetime.

The music is nuevo tango - the traditional soul of tango, full of the emotion that it has always carried (and with which it carries its listeners and dancers), charged and reborn with all of the grit and grime that exists `at street level'. Gosh - if the tangos we're used to hearing and seeing in the old films made your grandmother blush, this would most certainly put her on the floor in a dead faint. The music is intricately composed - but at the same time, it is FELT in the depths of the soul. There is nothing whatsoever cold and emotionless about it. The musicians themselves are of the highest caliber - some are classically trained, some have their roots in jazz, but they are all under the spell of Piazzolla's vision. The quiet passages purr and stroke the senses, the more strident ones will pick the listener up and toss them around. The music will make you want to close your eyes and drift away one moment, then have you sweating the next.

More on the genius of Astor Piazzolla:

Picastor The music of Astor Piazzolla epitomized our situation in the modern world with his fusion of folkloric beauty and contemporary tension. He forged a new music that challenged the traditionalist and left the adventurous craving more. He took the music of the great tango masters like Garde, ripped it away from the velvet-walled concert hall and the soft-cushion drawing room, and slapped it down on the pavement of Buenos Aires. Reviled by the critics, shunned even by the conservative government, his music spoke to the next generation, and popular and jazz musicians and listeners all over the world eventually fell under the spell of his "nuevo tango." In recent years, Piazzolla has taken the new tango back to the concert halls, composing and performing works for chamber ensembles like Kronos Quartet, larger groups like The Orchestra of St. Luke's, even an opera company. These works brought his once radical music back into the mainstream.

Musica: Cinco de Mayo

Cinco de Mayo... si....

Here is the editor's pick for your celebration.  I've been listening to them for years and happy to share my favorite with you.  The most amazing electronica is coming out of Mexico and the group on the cutting edge is:

Nortec Collective
Nc3 Nortec Collective
describe themselves as sampling instrumental parts from dusty tapes of tambora and norteno band rehearsals & combining the use of electronics and dance music aesthetics with the hard, driving sounds and rhythms of traditional Northern Mexican street music.

Nor-Tec = a contradiction of 'Norteno' (of the North) and techno/ tambora: traditional music forms of the Northwest of Mexico.


Check out the tunes on their website or at the Nortec Myspace

The Relevance of Rhythm

by Robert Wallace, aka The Drum Guy

TotalRhythm.com


Tocadjembevuur

Why Drum?  A good question.  Why do ANYTHING if it doesn’t provide some benefit to you?  There are three primary reasons to tap into the power of rhythm:



1)  Rhythm and Drumming helps you to SLOW DOWN and re-connect with YOU. 

Everyone has heard the phrase “Don’t just sit there, do something!” but I’d like to offer something different:  “Don’t just do something, sit there.”  And play your drum!  Let me explain:  In our modern world, speed is king. Faster is considered better.  More is superior to less.  Action trumps inaction.  We want a lot of things, now.

But this world of hyper-stimulation has it’s drawbacks: shorter attention spans, heightened desire to consume, over-valuation of commodities.  Ultimately, it places attention and focus on the outside: what external items do I need to stimulate me and make me feel whole and complete?  This is a real problem! 

Drumming and Rhythm help bring us back inside.  The Power of Rhythm is the Power of Repetition.  When we lock into a beat, our mind SLOWS DOWN (and, ultimately, turns off) and we re-connect with our physical rhythm: heartbeat, breath, muscle movement.  We stop looking outside of ourselves for stimulation and approval; we begin to listen to the still, calm voice from inside. Some call this intuition, guidance, Love, even God.  I call it my soul, or my positive lifeforce, or “axe” (“ah-shay”)* as they say in Brazil.  This energy resides in everyone and is constantly attempting to share it’s wisdom and guidance. Unfortunately, most of the time we are too busy, too much into “More, Faster, Now” that we never stop to listen.  That’s too bad, because this message from our spirit is exactly what we NEED and WANT to hear in order to live our lives in complete accord with our dreams and desires. 

You’ll start hearing it and feeling it when you tap into the Power of Rhythm.

(*Axe (“Ah-shay”) is a term I learned while studying music and dance in Salvador, Bahia, Brazil. It means, roughly, “positive life force”; the energy inside all of us that drives our dreams and desires.)

Totalrhythm_1

2)  Drumming and Rhythm Helps Us Connect with Others.  

At the heart of being human is a desire to connect.  Most of the time this desire is to connect with other people, but not always (it could be a desire to connect with nature, creative ideas, spiritual matters, etc.)  No matter, we want and deeply need to feel a part of something bigger than ourselves.   The truth of our natural connection with all living things has been lost through generations of isolation, separation, loneliness.  As we embrace a culture of materialism and consumerism, and a spirituality that separates us from our highest power, we drift further away.

But there is a practical and joyful (if not new) way to reconnect: Rhythm!  People have gathered for thousands of years, in virtually every culture on the planet, to DRUM TOGETHER.  Human beings don’t do ANYTHING for a long time unless it has a benefit, and rhythm provides a tremendous benefit.

Group drumming creates a supported place where we not only connect with our own spirit (as mentioned above), we THEN SHARE THIS EXPERIENCE WITH OTHERS.  We are no longer alone or isolated.  Rather, we collectively feed our souls, our higher selves, through the beat.   And what a meal!  Locking in complimentary rhythms, and holding those beats tight like a muscle is incredibly powerful, even thrilling.  Many skills are needed to make this happen: 

1) We must be willing to go to a deeper place first individually and then collectively,

2) We must listen to each other,

3) We must communicate with each other in the context of a unifying beat,

4) Most importantly, we must support each other in maintaining this common beat.

As we develop these skills and insights through drumming, it’s easy to see the cross-over to other (all?) aspects of our life.  Close personal relationships require a willingness to be go deep both individually and jointly; all successful work endeavors require outstanding listening and communication skills.  Keeping focus on the common goal (the unifying beat) is the function of our socio-political system.   Our everyday life requires immense trust and cooperation (e.g. driving on the proper side of the street, depositing money in the bank, flying in an airplane).  Being “in rhythm” teaches and nurtures these skills.

Despite our mistaken, culturally-created belief that we are independent individuals, we are, in fact, completely INTER-dependent.  For example: think of turning on a light in your home.  Do you realize how many thousands of people made that possible?** 

Drumming and rhythm will help you develop the practical skills needed to establish deeper and more meaningful relationships in all aspects of your life.

 

(**The inventors who discovered the power of electricity and shared their findings, the donors who supported their research, the business people who invested their funds to make this new idea financially viable, the workmen who erected the electricity lines, the customer service representatives who receive new orders, the technicians who hook up each home in a safe and reliable manner, the homebuilders who construct the walls in your home and run the electricity lines to your switch, the employees who send out your bill, the service-people who fix your line when it goes out, the technicians, hundreds of them, who continually (every minute of every day) monitor the electricity grid to ensure that it works properly, etc....)

 

Totalrhythm_2 3)  Drumming and Rhythm is our Entree into the Wide World of Music

Music is fantastic!  I’ve had a chance to travel around the world studying music, rhythm, and dance. The more I learn, the deeper the well becomes.  The beauty, the joy, the exuberance, the soul of music...what a joy!  I feel totally blessed every single time I’m near music; to hear it, to dance to it, to play it, to teach it.

By learning world rhythms, you will be learning about the PEOPLE who make the music.  Music, like any other art form, is a creative expression - it reflects the soul of it’s creator(s).  By studying drumming, in particular, we learn about a culture from the ground up.  Rhythm is like a tree, “from the root to the fruit” (one of my favorite sayings).  Drums are hollowed-out trees with animal skins on top. Rhythm flows through our bodies, starting from the feet and legs into the hips and lower torso (the root), up the spine down our arms and to our hands (the fruit).  When we learn rhythms from a particular region, we are connecting with the culture from a very base-level, grass-roots place.  We start to understand the soul of the people as we learn the rhythms that drive their music and, to a very real extent, their lives.  This is very exciting!

I remember the first trip I took to Trinidad.  For a few years prior, I was playing djembe*** for dynamic dance classes taught by Mr. Wilfred Mark, a world-class teacher and performer from Trinidad.   As we became friends, he invited me to join him for a cultural trip to his island, and I accepted.  Far from a “sit on the beach and drink a mai-tai” vacation, this was a musical and cultural odyssey to the back country of Trinidad.  The modest country house we stayed was next to a home with over 100 chickens!  We (there was a group of about 8 of us) woke to the rooster calls at the crack of dawn each morning, just like everyone else in the village.  We learned traditional rhythms like Calypso, Jab Molassi, Shango from the local drummers in an open-air, tin-roof “dance studio.”  But more importantly, we learned the soul of the music.  We learned the tempo of the island.  We learned not only what Trinidadians listened to, but WHY.  My desire to learn the message behind the music gave me entree into this world.  And rhythm was my ticket.

It’s been the same everywhere I have travelled: Brazil, Ghana, Cuba, Togo, Jamaica, Benin, Mexico, Nigeria...  by connecting with the rhythm of the people, I have gained an exciting and powerful insight into their lives, and, by extension, have gained invaluable perspective on my own.

Drumming, rhythm, percussion and dance can do the same for you.  The world is waiting, extending it’s hand.  Let’s take the step, explore your world  through rhythm.

(*** African hour-glass shaped hand drum.)

 

So, don’t just do something, sit there. And drum!


Robertwallace_2 Robert Wallace is a musician and teacher living in Northern California.  He teaches percussion and fitness to students of all ages and abilities and is releasing a set of instructional DVDs this year.  For more information, contact Robert at:

Total Rhythm or Robert@TotalRhythm.com

510-482-8005

All photos courtesy of Total Rhythm

 


 

Latin Music for your collection Part II

Buenavistasocialclubalbumcover Buena Vista Social Club 

Responsible for the resurgence in Cuban music and culture, the movie and cd brought these musicians to a whole new audience.
Recorded in just six days in 1996 with a stellar cast of Cuban musicians, Buena Vista Social Club has become a musical phenomenon. Awarded a Grammy in 1997 it has sold well over 6 million copies to date and introduced the world to Cuban son, as well as launching both Ibrahim Ferrer and Ruben Gonzalez as near household names. The timeless quality of the music and the sheer verve of the performers has ensured that this will go down as one of the landmark recordings of
the Nineties.

The members of Buena Vista Social Club include:

Az_2545_the_rough_guide_to_salsa_colombi Rough Guides to Salsa Colombia

 

Salsa maybe more of a concept than a specific rhythm, but its infectious and vibrant sound has captivated audiences around the world. In Colombia, salsa took hold in the main Atlantic and Pacific coastal cities, where a distinctive style emerged and had a significant impact on the genre as a whole. Within Colombia, salsa is danced in clubs, discos and at carnival – dancing is widespread in a land where the latest salsa hit is heard everywhere, on your way to work, when you do the shopping, and when you go out with your friends. Featuring many of the best-known salsa artists in the country, The Rough Guide To Salsa Colombia is your introduction to this effervescent dance music.



Rgsalsadance Rough Guides to Salsa Dance

 

Salsa is the musical pulse that flows through Latin America, the Spanish speaking Caribbean, and the Latin Diaspora in the USA and across the world. Short, sharp, sweet and straight to the point, salsa has come to define Latin life – the music, the dancing, the culture. The Rough Guide To Salsa Dance (Second Edition) presents some of the freshest and newest salsa bands and songs from Colombia to New York, Cuba to Puerto Rico – the ideal soundtrack for the summer and guaranteed to move anyone, from the accomplished dancer to the double left-footed.



Africando Africando

Afro-cuban brilliance!  Africando, the Afro-Salsa supergroup is back. Fourteen years after the historic first meeting of the best singers from Senegal and the best Latin musicians in New York, "Ketukuba" , their seventh album is ready.  "Ketukuba" is a tribute to the late Gnonnas Pedro, Benin's favourite son, who sang with Africando from 1996 until his death in 2004. The title song, was his last recording.








Cachaito Orlando "Cachaito" López

In the 1950s, he helped create the descarga style of music that is a mix between jazz-styled improvisation with Afro-Cuban rhythms. In the 1960s, he was a key member of Irakere, a Cuban experimental band that combined pop, classical, Cuban folk, African and jazz influences.  An inspired debut rooted in the spirit of descarga, "Cachaíto" is given a daring twist by producer Nick Gold and an essential rhythm section. The liberated bass leads an awesome, groove-based experimental journey mixing Cuban styles, jazz, funk, hip-hop and reggae.



 

Bennymore Benny Moré

His memory is honored in Cuba in September of every year by a festival in Cienfuegos that bears his name. Many Cuban singers refer to him in their songs.

In the Cuban capital Havana, a salsa club is named after him. On the malecon in Manzanillo, there is a statue of him.

Find out why by listening to the master...

 

Carnaval!

Caslogo_1
Celebrate Carnaval 2007 with the Caipirinha Appreciation Society

Brazilian journalist MdC Suingue (Portuguese for "Swing") & Kika Serra bring you Brazilian music without the cliches.  Special for Carnaval, the CAS kicks off with part one of a three part series.

The idea is to create an environment open to the appreciation of this diversity that Brazil has to offer. The Caipirinha Appreciation Society is an introduction to a different Brazil, in opposition to the clichés presented in the infamous samba-for-tourists shows. We skip the feathers, sequins and fixed fake smiles for a more grassroots approach.

The policy of our djs is to play GOOD Brazilian music, from old gems to the most cutting-edge underground stuff. The dance-floor code is to move as you feel like with no "samba class" to spoil that freedom.

But our intention is to take Brazilian music out of the ghetto and place it in a universal context, so even if our output is 90% Brazilian, we play anything good that we come across, whatever nationality.

So let your hair down and try out our musical caipirinha. It can be addictive, we're told.

Editor's Pick - I am already addicted to the Caipirinha Appreciation Society

Latin Music for your collection Part I

It can be quite overwhelming to delve into the choices available in Latin music.  Here are some of the best.  The first in our list is presented below.  Add your comments to contribute to the list... what is in your library?

Losvanvan Los Van Van - Timba.com says:
After the revolution, Cuba adopted   the Soviet strategy of testing young children for a variety of aptitudes including   musical talent and offering promising students conservatory training from an   early age. While this important seed began to grow, the existing generation   of adult musicians began listening to American music in earnest and absorbing   the influences of jazz and the explosion of creativity in rock & R&B   in late 60's and early 70's. The most important of these, and probably the most   important figure in the history of Cuban music, was Juan Formell, who was the   musical director of Orquesta Revé when he and a number of other members   broke away to form Los Van Van. Van Van has remained Cuba's most popular group   for 32 years and counting.

Check them out on Youtube: Los Van Van
Official Los Van Van Website


 

Afrocubanallstars Afro Cuban All-Stars: from Myspace:
Juan de Marcos González is one of the most important figures in Cuban music today. He has a mission to show the world the wealth, diversity and vitality of Cuban music. His work with the Afro-Cuban All Stars, the Buena Vista Social Club, Rubén González, Ibrahim Ferrer, Sierra Maestra and others has made an extraordinary contribution to raising the profile of Cuban music throughout the world. However, neither his name nor his crucial contribution is well known to the general public and he remains something of an unsung hero of Cuban music.

Listen online at their Myspace Page



Titopuente Tito Puente "The King of Mambo"
Born Ernest Anthony Puente, Jr., Tito Puente is internationally recognized for his enormous and significant contributions to Latin music as a bandleader, composer, arranger, percussionist, and mentor. Popularly known as the “El Rey del Timbal” and the “King of Mambo”, he recorded more than 100 albums, published more than 400 compositions, and won five Grammy awards.
YouTube: Tito Puente plays with Sheila E. and Pete Escovedo in 1989



Celiacruz Celia Cruz "The Queen of Salsa"
Celia Cruz (Ursula Hilaria Celia Caridad Cruz Alfonso) (October 21, 1925 - July 16, 2003) was a Cuban salsa singer who spent most of her career living and working in the United States. Cruz was one of the most successful Cuban performers of the 20th century, with twenty-two gold albums to her name. Leila Cobo of Billboard Magazine once said "Cruz is undisputedly the best-known and most influential female figure in the history of Afro-Cuban music."
Listen at Myspace and watch her in these vintage spots in 1967 and 1960

African Music Round-up

We've compiled a brief list of must-haves for your African music collection.  Some introspective, some body-moving, all world famous and can be considered the 'standards' of the world-beat enthusiast.

Femifighttowincd Capa_oumou_sangare Alifarkatoure

The LIST:

Fela Kuti: Nigerian pioneer of Afrobeat and human rights activist.

Femi Kuti: Eldest son of Fela Kuti continuing in the form of Afrobeat music and activism.

Oumou Sangare: Mali's greatest feminist, singing in the form of Wassoulou from Southern Mali.

Baaba Maal: Senegalese singer and activist.

Youssou Ndour: Pioneer of popular music in Senegal and considered one of the greatest singers in the world.

Habib Koite: From a noble line of Khassonké griots, guitarist from Mali breaking records in world music record sales.

Salif Keita: Internationally recognized afro-pop musician from Mali.

Ali Farka Toure: From Niafunké, in the semi-desert region of Mali, a unique solo artist who channeled the blues.

and.... Rokia Traoré: while still relatively unknown in her native Mali, Rokia's music is well known abroad and combines sounds of the various regions of her homeland.



Dancing in Ghana

Aphrodesialogo_1

Aphrodesia is a San Francisco-based Afro-funk band and the first
Americans to play at the legendary New Afrika Shrine in Lagos, Nigeria.

Their shows are lively and full of vibrant energy. 
Listen to their music on Myspace and check out the new live album
recorded this year.




Before Aphrodesia, band member Lara studied African dance in Ghana.  root is excited
that she's taken time out of her busy touring schedule share her experience with us.

Lara1

Photos courtesy of Lara and taken by Todd Grady

Top:
Lara poses with children in Binaba, Ghana
Middle: Lara and Nicole Rodriguez share their love of dance with some women in Binaba, Ghana
Bottom: Posing with Femi Kuti's Dancers
 

   It was 1996, only 2 short years of being thoroughly
entranced by African rhythms that I found myself on an
airplane to Accra, Ghana.  I had to get a taste of
where all this spirited rhythm emerged. What I found
was of course nothing I could ever expect.   

  After stumbling around the dust and open sewers of Accra
for a few days I found my way to a small fishing village
called Kokrobite.  Fisherman lined the beach with old,
wooden boats that were painted with prayers.  They
sang to keep time and direction for the pulling in of
their nets.  It was here that I stayed for 9 months
without electricity, without running water, in a small
hut with a lop-sided straw bale bed.

  I had heard about the famous Addy drumming family. I
was told that they conducted classes in Kokrobite.
This is where I met my first drum/dance instructor
Maputo Mensah.  Everyday I danced in a pavillion on
the beach learning the traditional dances of the Ga
people. It was truly an initiation into rhythm, into
my body, and into African life.   

  My interest in the traditional songs, rhythms, and dances Lara2
connected me to the people. It was a way to converse without
words using dance as a common language. Everyday when I
walked through the village bands of children would
follow me singing and trying to engage me in dance.
In fact, in Ghana, one is never alone, there is no
place to hide. Having all eyes on you all the time
provides a magnified reflection where there is little
room for self-consciousness or shame. This is what I
did through the dance, I shed shame.

  In the evenings I would sit and listen to a woman sing
while she made omelets. This woman, named Kokwe and her
sisters, daughters, and sister wives, would all gather and
cajole me into singing Ga songs with them. Again,
there was no room for doubt, I had to try.  This
became a nightly ritual, and Kokrobite became my
second home.
 
  After a 10 year evolution of African dance and songAphrodesiafemidancers
I was able to return to my village with my 10 piece
afro-beat band called Aphrodesia.  We were met with
awe and excitement. No one had ever returned to
deliver their traditional songs in a new context
orchestrated by a 10 piece band.  The response was
ecstatic and what followed were some amazing
collaborations.

  We performed in Kokrobite with the women of the village who
I'd sang with nightly. We went far up to remote villages in the
north and put together a show in the weekly market with the local
"Bob Marley and the "local Madonna".  This tour took us
through Togo, Benin, and into the New Africa Shrine,
in Lagos, Nigeria to perform with Femi Kuti.

  Femi's dancers enveloped us in ecstatic celebration.  They
costumed the 3 women of the band, taught us to dance
like Nigerian girls and shoved us out onto the stage
with Femi. Once again, there was no time for doubt.
You have to believe in yourself to survive in Africa.
All you have is all you need. 


poem :
God is real
you can talk to him
in the soccer field in Teshe-Nungua
you can talk to him along the beach
or through a rock with
cowrie shells for eyes
who sits along the Volta River

God loves to dance
and will often show up
when his favorite rhythm is played
God is Christian and Muslim
and honors the fetish tradition

He eats dried fish
and sleeps on a bench
drinks akpeteshi
and sings proverbs
He is from the desert
and from the dust
and from the stars

God is real
I've seen people talking to him
he doesn't mind if you yell


-Lara Maykovich

African Music on the Web

Out of Los Angeles, broadcasting on the web, Afrodicia

They feature not only the classic hits and new sounds of Afro-beat, but also interviews with the pioneers of the art; Fela Kuti, Titus Fotso, Chief Osita Osadebe, Baaba Maal, and more...

Tune in here:  Afrodicia & watch videos for the featured artists here: Afrodicia Video Clips

About DJ Nnamdi Moweta:

Nigerian-born Nnamdi Moweta is a radio personality and music promoter, producer,   presenter, and consultant. Schooled in film making at the San Francisco Art   Institute, he is currently based out of Hollywood. He is the host of Radio Afrodicia,   a program on Southern California radio promoting African and African-influenced   music. Programs feature a variety of musicians from throughout Africa, plus   live interviews with artists about their works and influences. It may be heard   on KPFK 90.7 FM or on the Web at www.kpfk.org Saturdays from 2 - 4 PM.